18 May 2005 London Sale: 5:00pm Wednesday 18 May 2005 Viewing: 10:00–19:00 Tuesday 17 May 9:00–12:30 Wednesday 18 May 2005 London Tel: 44–20–7661–9325 Moscow Tel: 7–095–799–4683 AI DH NO B AS BU Fax: 004420-7661-9400 E-mail: Info@macdougallauction.com www.macdougallauction.com 33 St. James Square London SW1Y 4JS, England Lot 6. EXTER, ALEXANDRA (1882–1949) Costume Design for Ballet Don Juan. MacDougall Arts Ltd Russian Art Sale WILLIAM MacDOUGALL, Director CATHERINE MacDOUGALL, Director and Russian Art Expert EVGENIA TESLYUK, Russian Art Specialist ANNA KORNDORF, Moscow Representative JACOB GILDOR, Ecole de Paris Expert NIKITA LOBANOV-ROSTOVSKY, Russian Theatre Design Expert VLADIMIR PETROV, Russian Art Expert Photography by Tom Miller and Richard Davies Catalogue design by chaykadesign studio (www.chaykadesign.ru) Printed by «Pushkinskaya Ploshchad» (www.pkpp.ru) ISSN 1745-3429 ©2005 MacDougall Arts Ltd. MacDougall Arts Ltd. 33 St. James Square, London SW1Y 4JS, England 1. VASSILIEFF, MARIE (1884–1957) Icon of Mary, The Virgin of Montparnasse, Signed and dated 1933. Info@macdougallauction.com London Telephone 44–20–7661–9325, Fax 44–20–7661–9400 Moscow Telephone 7–095–799–4683 Collage of gilded paper and black rhodoid, blue crayon, 24 by 30 cm. With religious dedication. Catalogue online: www.macdougallauction.com £3,000–5,000 Registered Office: 14 Cotton’s Gardens, Kingsland Road, London E2 8DN MacDougall’s LONDON 18 May 2005 4 Russian Art Auction 2. Russian Art Auction KOUZNETSOFF, CONSTANTINE (1863–1936) White Cliffs, Signed. Oil on canvas, 65 by 81 cm. Provenance: Family of the artist. / From the series Les Grandes Dalles, no. 674–675 in the unpublished Catalogue Raisonne from the family archives. 4. £4,000–6,000 KOUZNETSOFF, CONSTANTINE (1863–1936) After the Bath, Signed, с. 1905. Pastel on cardboard, 65 by 80 cm. Provenance: Family of the artist. £5,000–7,000 Константин Кузнецов известен в Европе прежде всего как мастер импрессионистических пейзажей, написанных им во Франции, видами Сены, исполненными в пастельных тонах с присущим ему живописным лиризмом. Ровесник Коровина, друг Борисова-Мусатова, Кузнецов большую часть жизни провел во Франции, но до конца оставался русским патриотом, отказываясь принять французское гражданство. 3. KOUZNETSOFF, CONSTANTINE (1863–1936) Pont des Arts, Signed. Oil on canvas, 30 by 45 cm. £2,000–3,000 MacDougall’s LONDON 18 May 2005 В начале ХХ века художественная карьера Кузнецова стремительно развивалась и в Европе и в России. Кузнецов активно участвовал в выставках Московского Товарищества Художников, членом которого он был с 1905 г, его работы регулярно выставлялись на Осеннем салоне и салоне Независимых в Париже, а также на выставках русского искусства в Мюнхене, Лондоне, Брюсселе. Революция навсегда оторвала Кузнецова от родины. Потеряв огромное состояние, Кузнецов вынужден был писать на своих ранних работах, а порой он разрезал свои прежние огромные холсты, и на них — создавал новые. Работы Кузнецова представлены в Национальном музее современного искусства в Париже, в Третьяковской галерее и других музеях и частных коллекциях. 5 6 Russian Art Auction 5. Russian Art Auction KOUZNETSOFF, CONSTANTINE (1863–1936) Summer Forest, Signed and dated 1903. Oil on canvas, 59 by 80 cm. £3,000–4,000 Constantine Kousnetzoff is best known for his Impressionist landscapes, painted in Brittany and Normandy, as well as for his depictions of squares and embankments of Paris, where he settled in 1927. His canvases, executed in subtle pale tones, are very lyrical. Kouznetsoff created series of decorative panels and portraits as well as illustrations for Viy, by N. Gogol, Mermaid and Tale of Tsar Saltan, by A. Pushkin. After graduation from Saratov Art School he continued his education in the famous Atelier Carmon in Paris. At the beginning of the 20th century Kouznetsoff regularly exhibited in Moscow, St. Petersburg, Paris and London. His works are exhibited in the National museum of Modern art in Paris, Tretyakov gallery, other museums and private collections. *6. EXTER, ALEXANDRA (1882–1949) Costume Design for Ballet Don Juan, Signed. Literature: John Bowlt et al., Alexandra Exter, Max Milo Editions, Paris 2003, p. 333, illustrated. Exter created this design for the 1929 production of Gluck’s ballet Don Juan. It was produced by Elsa Kruger Ballet Company for the Opera House in Cologne. £12,000–15,000 MacDougall’s LONDON 18 May 2005 7 8 Russian Art Auction Russian Art Auction 7. MAK (PAVEL IVANOV, 1891–1967) Man With a Pipe, Signed and dated 1932. 9. IACOVLEFF, ALEXANDER (1887–1938) Mixed media on paper, 47 by 25 cm. Portrait of Sikander Khan, Mir of Nagar, £2,000–3,000 Signed, inscribed and dated 1931. Sanguine, pastel on paper, 77 by 56 cm. Данный портрет был выполнен Яковлевым во время «желтого круиза» с Ситроеном в 1930-х. This work was executed by Iacovleff during Croisiere Jaune with Citroen in 1930s. \ £3,000–4,000 8. LATRI, MICKAEL (1875–1942) Swan Lake and Enchanted Town, Signed. Two Watercolours, each 18 by 20 cm. £1,200–1,500 *10. EXTER, ALEXANDRA (1882–1949) Design for the Industrial Exhibition in Moscow, 1923. Gouache on paper, 9 by 17 cm. Certificate of authenticity by Dr. G. Kovalenko. £2,500–3,000 MacDougall’s LONDON 18 May 2005 9 10 Russian Art Auction Russian Art Auction 11. IVANOFF, SERGE (1893–1983) / 12. IVANOFF, SERGE (1893–1983) Diane and Acteon, Signed and dated 1928. Suzanne au Bain, Signed. Sepia on cardboard, 193 by 52 cm. Oil on board, 55 by 46 cm. Authenticity has been confirmed by the family of the artist. Authenticity has been confirmed by the family of the artist. £4,000–6,000 £4,000–6,000 MacDougall’s LONDON 18 May 2005 11 12 Russian Art Auction 13. Russian Art Auction IVANOFF, SERGE (1893–1983) Femmes se Coiffant, Signed and inscribed Paris. Oil on canvas, 60 by 74 cm. Authenticity has been confirmed by the family of the artist. £5,000–7,000 Серж Иванов известен замечательными портретами деятелей художественно-театрального мира, среди которых — А. Бенуа (в Русском музее), Гончарова, Лифарь. Однако в наследии художника представлены и жанровые полотна, и мифологические пейзажи, и откровенно эротические сюжеты. Серж Иванов родился в Москве. С 1918 по 1922 учился в Академии Художеств в гравюрной мастерской Козлинского, а затем у Кардовского и Браза. С 1923 года жил в Париже, где работал для театра и домов высокой моды. Его персональные выставки проходили в Париже, Рио-де-Жанейро, Буэнос-Айресе и Сан-Франциско. Работы Иванова находятся в Национальной библиотеке Парижа, Русском музее и Эрмитаже. Serge Ivanoff was born in Moscow. In 1918–1922 he studied at the St. Petersburg Art Academy under Kozlinsky and Braz. From 1923 Ivanoff lived in Paris, where he worked as an illustrator and costume designer. In Paris he created many portraits, genre paintings, nudes and erotic paintings. Among his masterpieces are the portraits of well-known Russian artists, such as Benois (in State Russian Museum), Goncharova and Lifar. Ivanoff had his personal exhibitions in Paris, Rio de Janeiro, Buenos-Aires and San-Francisco. His works are represented in National Library in Paris, State Russian Museum and Hermitage. MacDougall’s LONDON 18 May 2005 14. BOGOLIUBOV, ALEXEI (1824–1896) Seascape with Saleboats, Signed. Oil on canvas, 27 by 38 cm. Provenance: Given to the present owner by Princess Sophia Dolgouruky. £12,000–15,000 13 14 Russian Art Auction Russian Art Auction 16. GONCHAROVA, NATALIA (ILLUSTRATOR) (1881–1962) A. S. Pushkin. Conte de Tsar Saltan, Paris, La Sirene, 1921. / Book of pochoir prints, 30 by 23 cm. 48 pages of pochoir prints, decorated in colour, by Goncharova. Edition of 599 copies on Ve lin de Rives paper, of which this is number 125. Loose as issued in original printed boards, with original cover. Executed by the Atelier Marty, under the direction of Daniel Jacomet. / £1,000–1,500 17. ZOUBTCHENKO, CATHERINE (B. 1937) View from Lanskoy’s Atelier, Signed. Oil on canvas, 73 by 92 cm. Provenance: From the artist. £1,000–1,500 15. LANSKOY, ANDRE (1902–1976) / Le Genese, Signed. Set of 37 сoloured lithographs, loose in the box, 62 by 49 cm. Edition of 125 copies. Number 6 out of first 12 copies reserved by the artist. £3,000–5,000 MacDougall’s LONDON 18 May 2005 15 16 Russian Art Auction Russian Art Auction *18. STENBERG, VLADIMIR (1899–1963) The Man of the Future, Signed. Oil on canvas, 101 by 74 cm. Provenance: private collection, NY £30,000–40,000 В мировую историю искусства Владимир Стенберг вошел прежде всего как создатель жанра советского киноплаката. В 20-е годы вместе с братом Георгием он стал одним из основоположников русской авангардной сценографии, работал для Камерного театра Таирова, занимался книжной графикой, оформлением массовых зрелищ и демонстраций. Сын шведского художника, приехавшего в Россию в конце XIX в., Стенберг окончил Строгановское училище вместе с братом Георгием, в соавторстве с которым проработал до 1933 года, подписывая произведения «2-Стенберг-2». Сотрудничал с ИНХУКом и ЛЕФом, создавая беспредметные индустриальные модели и «цветоконструкции» из стекла, металла и лески. В 1922 г. участвовал в Первой русской художественной выставке в Берлине, в 1925-м в Международной выставке декоративного искусства в Париже. Задачи утилитарного агитпропа в купе с футуристическим культом динамики, напора индустриальной эпохи и рожденных ею больших городов привели к созданию ряда композиций, символизирующих прогресс и новые социальные реалии. Однако позднее художник и его понимание жанра киноплаката эволюционировали от «чистого» конструктивизма к эстетике арт-деко. Работал с Эйзенштейном, Вертовым, Протазановым, Чаплиным и др. После смерти брата в 1933 служил главным художником Всероссийской сельскохозяйственной выставки ( с 1935), трудился над архитектурными проектами праздничного оформления Москвы, музейными экспозициями. В 1952 г. был арестован, но через год после смерти Сталина реабилитирован. В конце жизни занимался воссозданием ранних абстрактных композиций и театральных макетов. Персональные выставки состоялись в Париже в 1923, Франкфурте в 1971, Лонд Антарио в 1975, в Москве в 1984. Данная работа представляет собой редкий образец станковой живописи Стенберга 1920 х годов, времени когда художник возглавлял художественный отдел Днепростроя. Аналогичная по технике и композиции картина Стенберга «Рабочий у станка» (холст, масло; 107х107 см) находится в Государственном музеезаповеднике Ростовский Кремль. Vladimir Stenberg is best known for his film posters, which were created in collaboration with his brother Georgy. At the age of 17 Stenberg wrote his Manifesto of Constructivism; his best works were created within the framework of that art movement. The Man of the Future was painted in the 1920s, Stenberg’s most interesting, productive and prolific period. During that decade the painter worked for Tairov’s Kamerny Theatre, becoming one of the founders of the Russian avant-garde stage design. He was also involved in decoration of streets and squares for communist celebrations, military parades etc, created his first film posters and worked as a book illustrator. The Man of the Future was created while Stenberg was employed as the Chief Painter for Dneprostroy, the construction of the largest hydro-power plant in the world. A rare example of Stenberg’s oil on canvas work, it represensts one of the finest examples of Russian Constructivism. A similar work can be found in Rostov State museum, Russia. MacDougall’s LONDON 18 May 2005 17 18 Russian Art Auction Russian Art Auction 19. LAPCHINE, GEORGE (1885–1950) Forest Pond, Signed. Oil on canvas, 60 by 73 cm. £5,000–7,000 20. LAPCHINE, GEORGE (1885–1950) Russian Church in France, 21. FEDOROVA, MARIA (1859–1916) Signed. Watercolour, oil, pastel, pencil on paper, 44 by 60 cm. Shrine, Signed. £700–900 £4,000–6,000 MacDougall’s LONDON 18 May 2005 Oil on canvas, 98 by 77 cm. 19 20 Russian Art Auction 22. Russian Art Auction TERECHKOVITCH, CONSTANTINE (1902–1978) 23. TERECHKOVITCH, CONSTANTINE (1902–1978) Summer Garden, Signed. Spring Park, Signed. Oil on board, 75 by 92 cm. Oil on board, 38 by 46 cm. Authenticity has been confirmed by the family of the artist. Authenticity has been confirmed by the family of the artist. £6,000–8,000 £4,000–6,000 Среди русских художников-эмигрантов Терешкович был одним из самых успешных. Его пейзажи и портреты, исполненные в стиле импрессионизма, пользовались огромной популярностью во Франции уже в 1930-х годах. Денди, державший скаковых лошадей, содержавший конюшню в Париже, Терешкович отображал на своих полотнах жизнь сытого Парижа, чем вызывал неприязнь нищенствующих русских коллег. Терешкович получил художественное образование в студиях Юона, Машкова и Кузнецова, а после приезда в Париж — в академии Гранд Шомьер. Вместе с друзьями — Ларионовым, Шагалом, Кислингом — он активно выставлялся в европейских столицах. Несмотря на то, что арткритики быстро причислили Терешковича к французским художникам, сам он оставался верен русской теме всю свою жизнь. Наследие художника наиболее полно представлено в его персональном музее близ Монако. MacDougall’s LONDON 18 May 2005 Terechkovitch is a rare example of a Russian exile who relatively quickly built up a successful artist’s career in the West. He studied in Moscow under K. Youne and I. Mashkov and later briefly under P. Kuznetzov before leaving Russia in 1920, at the age of eighteen. He came to Paris and under patronage of S. Romov he entered the Academie Grande Chaumiere, met Larionov, Chagall and Kisling (See lots 30, 64,75). He participated in various Russian group exhibitions of the cafe La Rotonde, art galleries, exhibiting solo and jointly with Lanskoy, Bart etc. After early expressionism his style changed towards lyrical impressionism. His paintings were in demand; by the mid — 1940s he could afford to buy his own mews with racing horses. Terechkovitch paintings are exhibited in major world museums and private collections; his house-museum is based in Menton, near Monaco. 21 22 Russian Art Auction Russian Art Auction 24. TERECHKOVITCH, CONSTANTINE (1902–1978) Dancer, Signed and dated 1939. Gouache on paper, 60 by 36 cm. Authenticity has been confirmed by the family of the artist. £3,000–4,000 25. LAGORIO, LEV (1827–1905) Seascape, Signed, Watercolour on paper, 23 by 30 cm. £2,000–3,000 26. RYBACK, ISSACHAR (1897–1935) Lady of Fashion, Signed. Charcoal on paper, 59 by 46 cm. £4,000–5,000 MacDougall’s LONDON 18 May 2005 23 24 Russian Art Auction 27. Russian Art Auction BENOIS, ALBERT (1879–1930) Two Landscapes, both Signed. Watercolour on paper, 12 by 17 cm, dated 1919 (on the left). Watercolour on paper, 23 by 30 cm, dated 1929 (on the right). £1,000–1,500 28. CHUMAKOV, FEDOR (1823–1911) Portrait of a Peasant Girl, Signed and inscribed. Pastel on paper, 34 by 25 cm. 29. OSMERKIN, ALEXANDER (1892–1953) Summer Garden. This work is a typical example of Chumakov’s peasant girl portraits, executed in a Salon-style, idealistic manner. Oil on canvas, 45 by 50 cm. £2,000–3,000 £15,000–20,000 MacDougall’s LONDON 18 May 2005 Authenticity has been confirmed by Osmerkin’s pupil Sofia Cherniak. 25 26 Russian Art Auction Russian Art Auction *30. KISLING, MOISE (1891–1953) Reclining Nude, Signed. Oil on canvas, 27 by 41 cm. Provenance: Collection of T. Edward Hanley, Pennsylvania. Denver Art Museum, Colorado. Collection of T. Mckittick, Sotheby’s London, 29th November 1999, lot 281. Exhibited: New York, Gallery of Modern Art, The Hanley Collection, 1972. Literature: J. Kessel, H. Troyat & J. Dutourd, Moise Kisling 1891–1953, Catalogue Raisonne , Paris, 1995, Vol II, number 98, illustrated. / £30,000–40,000 MacDougall’s LONDON 18 May 2005 27 28 Russian Art Auction Russian Art Auction 32. KONCHALOVSKY, PIOTR (1876–1956) View of a Distant Monastery, Signed. Watercolour on paper, 30 by 43 cm. Authenticity certificate by V. Silaev, dated from 25 August 2003. £4,000–6,000 33. KONCHALOVSKY, PIOTR (1876–1956) Pine Trees on the River Bank, Signed. *31. OSTROUMOVA-LEBEDEVA, ANNA (1871–1955) Watercolour on paper, 30 by 43 cm. Rainbow at Vasilyevsky Island, Signed, dated May 1918 and inscribed. Watercolour on paper, 56 by 72 cm. Authenticity certificate by V. Silaev, dated from March 2005. Authenticity certificate by V. Silaev, dated from 27 October 2003. £6,000–8,000 £3,500–4,000 MacDougall’s LONDON 18 May 2005 29 30 Russian Art Auction Russian Art Auction 36. ISTOMIN, CONSTANTIN (1887–1942) Crossing the Street, Signed. Oil on cardboard, 32 by 50 cm. £1,500–1,800 34. 37. ISTOMIN, CONSTANTIN (1887–1942) KREMEGNE, PINCHUS (1890–1981) Still Life with Fish, Signed on reverse. Summer Village, Signed. Oil on canvas, 47 by 64 cm. Oil on cardboard, 36 by 52 cm. £3,500–4,000 £1,500–1,800 35. ISTOMIN, CONSTANTIN (1887–1942) Red Tram, Signed. Oil on cardboard, 28 by 40 cm. £1,500–1,800 MacDougall’s LONDON 18 May 2005 31 32 Russian Art Auction Russian Art Auction 39. ARNSTAM, ALEXANDER (1880–1969) Reclining Nude, Signed. Ink on paper, 47 by 60 cm. Provenance: Family of the artist. Exhibited: Alexander Arnstam, Retrospective, State Russian Museum, St. Petersburg, 2000. Literature: Alexandre Arnstam,1880–1969, Exhibition Catalogue. State Russian Museum, St. Petersburg, 2000, illustrated. 38. ARNSTAM, ALEXANDER (1880–1969) £3,000–5,000 Nude in Masque, Signed. Ink on paper, 47 by 60 cm. Provenance: Family of the artist. Exhibited: Alexander Arnstam, Retrospective, State Russian Museum, St. Petersburg, 2000. 40. TCHELISCHEV, PAVEL (1898–1957) Literature: Alexandre Arnstam,1880–1969, Exhibition Catalogue. State Russian Museum, St. Petersburg, 2000, illustrated. Acrobat in Blue, Signed and dated 1929. Ink on paper, 38 by 26 cm. £3,000–5,000 £2,000–2,500 MacDougall’s LONDON 18 May 2005 33 34 Russian Art Auction Russian Art Auction 42. TCHELISCHEV, PAVEL (1898–1957) Flowers, Signed. Gouache on cardboard, 51 by 37 cm. £2,500–3,000 43. TCHELISCHEV, PAVEL (1898–1957) Nude Boy. Watercolour on paper, 56 by 45 cm. Provenance: Acquired by the present owner from the artist’s sister Alexandra Zassouloff, Paris. 41. TCHELISCHEV, PAVEL (1898–1957) Reclining Nymph, Signed. Oil on canvas, 82 by 130 cm. This work appears to be a study for the painting Two Nude Boys, executed in 1929. See: Gallery of Modern Art, Tchelitchew, NY, 1964, Plate 6. £7,000–9,000 £2,500–3,000 MacDougall’s LONDON 18 May 2005 35 36 Russian Art Auction 44. Russian Art Auction EBERLING, ALFRED (1872–1951) Portrait of Ballerina Tamara Karsavina, Signed and dated 1911. Oil on canvas, 61 by 54 cm. £15,000–20,000 Альберт Эберлинг был обласкан и Николаем II, и Лениным. Он был популярен и как художник, автор изысканных портретов, и как скандальный фотограф, снимавший петербургских красавиц, актрис и балерин Матильду Кшесинскую, Анну Павлову и Тамару Карсавину обнаженными. Соученик Рериха, Малевича, Кустодиева, Петрова-Водкина, Эберлинг окончил Санкт-Петербургскую академию художеств по классу Репина. Прослужив придворным художником Николая II шестнадцать лет, после революции Эберлинг писал портреты Сталина, Молотова и Когановича. Особую известность художнику принес портрет Ленина, признанный лучшим на конкурсе в 1924 и воспроизведенный на денежных купюрах. После этого он создает череду портретов вождей, растиражированных «Гознаком». Имя Тамары Карсавиной, примы Императорского театра и первой красавицы Петербурга, еще при жизни стало легендарным. Ее портреты писали Серов, Бакст, Добужинский, Судейкин, Серебрякова. Эберлинг познакомился с Карсавиной при дворе Николая II; завязался роман, растянувшийся на годы. Данный портрет был написан в 1911, после того как Эберлинг завершил серию фотопортретов балерины (недавно выставлявшихся в Петербурге). Еще несколько изображений Карсавиной работы Эберлинга находятся в Университетском музее в Торонто, в музее Бахрушина в Москве. Alfred Eberling was equally popular with authorities in pre-and post-revolutionary Russia. He was known both as an original artist and as a photographer, whose models included famous Petersburg actresses and ballerinas Kshesinska, Pavlova, and Tamara Karsavina. In 1905 Eberling replaced Serov as the court painter to the Tsar Nicholas II. After the October revolution he switched to painting Stalin and Kaganovich. His most famous work is the portrait of Lenin, which won him the first prize in the 1924 competition. It was later printed on the Russian banknotes. This portrait of Tamara Karsavina was painted in 1911. She was a prima ballerina at the Royal Theater in St. Petersburg and a legendary beauty. From their first meeting Eberling was taken up by her charm. There complicated romantic relations lasted for many years. He made numerous photographs of her (recently exhibited in St. Petersburg) and painted several portraits. MacDougall’s LONDON 18 May 2005 37 38 Russian Art Auction Russian Art Auction *45. EBERLING, ALFRED (1872–1951) Portrait of a Lady, Signed. Oil on canvas, 52 by 41 cm. 46. Exhibited: Female Portrait of the XXth Century, Gallery Art Divage, Moscow, 2003. GODLEVSKY, IVAN (1908–1998) Literature: Exhibition Catalogue, Female Portrait of the XXth Century, Gallery Art Divage, Moscow, 2003, p. 62, illustrated. Flowers, Signed and dated 1956. £5,000–7,000 £4,000–5,000 MacDougall’s LONDON 18 May 2005 Oil on canvas, 60 by 81 cm. 39 40 Russian Art Auction 47. Russian Art Auction BARANOV-ROSSINE, VLADIMIR (1888–1944) 48. HARLAMOV, ALEKSEI (1840–1922) Summer Landscape, Signed. Oil on cardboard, 28 by 36 cm. Still Life, Signed and dated 1909. Oil on canvas, 56 by 69 cm. £8,000–10,000 £28,000–30,000 MacDougall’s LONDON 18 May 2005 41 42 Russian Art Auction Russian Art Auction 50. MANE-KATZ (IMMANUIL KATZ, 1894–1962) Rabbi, Signed with initials. Also signed and dated 1959 on the reverse. Oil on canvas, 18 by 14 cm. Provenance: Mr. and Mrs. Brussell, New York. Literature: Robert S. Aries et al, Mane-Katz, 1894–1962. The Complete Works, Vol. II, London, 1972, number 81, p. 24, illustrated. £2,500–3,000 Выходец из Кременчуга Мане-Кац получил художественное образование сперва в Киеве, а затем в Париже, куда приехал в 1913. Там подружился с Шагалом и Сутиным, увлекся фавизмом и открыл для себя «старых мастеров», в первую очередь Рембрандта. После войны Мане-Кац вернулся в Россию, где стал заметной фигурой харьковского авангарда. Входил в «Группу трех» и «Союз семи», объединявший художниковпоследователей французского кубизма и итальянского футуризма. В это время в творчестве Мане-Каца наметился интерес к национальной теме и сюжетам еврейской жизни. В 1919 состоялись его персональные выставки в Харькове, Ростове-на-Дону, Тифлисе. В 1921 г. художник перебирается в Париж, где под влиянием окружения его манера становится более экспрессивной, но в то же время сохраняет приверженность национальной тематике. В 1940–45 Мане-Кац живет и работает в Нью-Йорке, все больше отдавая предпочтение скульптуре (см. лоты 94 и 97). В конце жизни большинство работ были подарены художником городу Хайфе. Mane-Katz was born in Kremenchug. After studying in Kiev, he visited Paris in 1913, where he befriended Chagall and Soutine at the Ecole des Beaux-Arts. While in France Mane-Katz discovered works of Rembrand and also became influenced by the Fauves, especially Derain, and briefly, by Cubism. After the outbreak of World War Mane-Katz returned to Russia where he was one of the major players of avant-garde art scene in Kharkov. He was member of Group of Three and Union of Seven that were stylistically influenced both by French Cubism and Italian Futurism. In 1919 he held his personal exhibitions in Kharkov, Rostov-on-Don and Tiflis. *49. MANE-KATZ (IMMANUIL KATZ, 1894–1962) Vision (Young Man’s Vision of Moses), Signed. Oil on canvas, 77 by 63 cm. Provenance: Schreck collection, New York. Literature: Robert S. Aries et al, Mane-Katz, 1894–1962. The Complete Works, Volume I, London, 1970, no. 438, p. 135 illustrated. £10,000–12,000 MacDougall’s LONDON 18 May 2005 From 1921 he lived in Paris, where he created many works on the subjects of life in the ghettos of Eastern Europe, the rabbis and Talmudic students, the fiddlers and drummers, comedians and beggars. He also painted a number of landscapes and flower studies. Mane-Katz held his exhibitions in major European cities. In 1940–1945 Mane-Katz lived in New York where he began making sculptures, some of which are represented in this catalogue (see lots 94 and 97). The artist donated many of his works to the town Haifa. 43 44 Russian Art Auction Russian Art Auction 51. KAKABADZE, DAVID (1889–1952) Abstract Composition, Signed and dated 1927. Oil on canvas, 46 by 61 cm. £35,000–40,000 Предлагаемая работа принадлежит к серии «Абстрактные формы», созданной художником в 1927 в Париже перед самым возвращением на родину. Для этой серии характерно динамическое переплетение красочных пятен и извилистых линий, создающих эмоциональное напряжение, созвучное работам Кандинского. Давид Какабадзе, художник, теоретик и историк искусства, начал свою художественную карьеру в мастерской Дмитриева-Кавказского. В 1914 вместе с Павлом Филоновым он создал группу «Интимная мастерская живописцев и рисовальщиков», где разрабатывал принципы аналитического искусства. Для работ этого периода характерны эпические мотивы кавказской природы, решенные в символическом духе стиля модерн «Имеретия — мать моя». 1918, Музей искусств Грузии, Тбилиси). В 1919–1927 Какабадзе жил в Париже, где занимался историей и культурой Византии. В работах этого периода художник сочетал модерн с авангардными экспериментами, вводя в свои коллажи зеркала, линзы, блестящий металл, стремясь к эффекту внутреннего света, излучаемого самим произведением. В 1921 в галерее Ликорн была организована выставка работ грузинских художников, где выставлялись работы Какабадзе, Ладо Гудиашвили и Шалвы Кикодзе. Свою теорию искусства Какабадзе изложил в книгах «О конструктивной картине» и «Искусство и пространство», изданных в 1921–1925 в Париже на французском и грузинском языках. David Kakabadze is an artist, theoretician and art historian. In 1919–1927 Kakabadze lived in Paris, where he studied Byzantium history and art. In his Paris period the artist combined modern style with avant-garde experiments, much along the same lines as of Picasso, Dufy and Derain. He took part in major Parisian exhibitions and in displays of European art in the US. MacDougall’s LONDON 18 May 2005 45 46 Russian Art Auction 52. Russian Art Auction CHARCHOUNE, SERGE (1888–1975) Abstract Composition, Signed. Oil on canvas, 27 by 35 cm. Provenance: Galerie Le Minotaure, Paris. £2,500–3,000 *53. FECHIN, NIKOLAI (1881–1955) Winter in Vasilievo, Signed and dated 1923. Oil on canvas, 45 by 37 cm. Provenance: Gift of the artist to P.P. Benkov. Later collection of Teregulov family. Exhibited: Nikolai Fechin, Gallery Art Divage, Moscow, 3 June — 26 July 2004, number 21. Literature: Nikolai Fechin. Painting. Drawing. Exhibition catalogue. Gallery Art Divage, Moscow, 2004, number 21, p. 36 illustrated. £35,000–40,000 MacDougall’s LONDON 18 May 2005 47 48 Russian Art Auction Russian Art Auction 55. STERLING, MARC (1897–1976) Still Life with Flowers, Signed. Oil on canvas, 60 by 46 cm. Provenance: Authenticity has been confirmed by the family of the artist. £2,000–3,000 56. 54. STERLING, MARC (1897–1976) FEDER, ADOLPHE (1885–1943) Still Life with Flowers and a Mask, Signed. Oil on canvas, 101 by 65 cm. Fish with a Jug, Signed. Provenance: Authenticity has been confirmed by the family of the artist. Authenticity has been confirmed by the family of the artist. Recorded in the archives of the Museum Ghetto Fighters; also recorded in the family archive. £4,000–5,000 £5,000–7,000 Oil on canvas, 55 by 65 cm. MacDougall’s LONDON 18 May 2005 49 50 Russian Art Auction 57. Russian Art Auction ISSAEV, NIKOLAI (1891–1977) Abstract Still Life, Signed. Oil on board, 46 by 61 cm. Provenance: Mes Oger et Dumont, Sale of the Atelier Nicolas Issaiev, October, 1991, Paris. £2,000–3,000 58. ISSAEV, NIKOLAI (1891–1977) 59. VASSILIEFF, MARIE (1884–1957) Abstract Oriental City, Signed. Oil on board, 50 by 60 cm. Portrait of a Man, Signed and dated 1947. Tempera on silk, 32 by 24 cm. £2,000–3,000 £4,000–6,000 MacDougall’s LONDON 18 May 2005 51 52 Russian Art Auction Russian Art Auction 61. POGEDAIEFF, GEORGE (1894–1977) Summer Landscape, Signed and dated 1950. Oil on canvas, 38 by 55 cm. £2,000–3,000 62. 60. POGEDAIEFF, GEORGE (1894–1977) POGEDAIEFF, GEORGE (1894–1977) Escape from Bethlehem, Still life with Melon and Grapes, Signed and dated 1961. Oil on board, 46 by 38 cm. Signed. Oil on canvas, 54 by 46 cm. £3,500–4,000 £3,000–4,000 MacDougall’s LONDON 18 May 2005 53 54 Russian Art Auction Russian Art Auction 63. GONCHAROVA, NATALIA (1881–1962) Lady with Flowers, Signed with initials. Pencil on paper, 41 by 25 cm. Certificate of authenticity by Dr. Anthony Parton dated from 7 February 2003. £3,000–5,000 64. KISLING, MOISE (1891–1953) Bord de Mer en Provence. Signed and dated 1917. Oil on canvas, 65 by 54 cm. Provenance: private collection, France, acquired by the previous owner in 1941. Certificate of authenticity issued by Kisling Committee, signed by Jean Kisling, dated 27 February 2004. Literature: J. Kessel, H. Troyat & J. Dutourd, Moise Kisling (1891–1953), Catalogue Raisonne , Paris, 1995, Vol IV. / £30,000–35,000 MacDougall’s LONDON 18 May 2005 55 56 Russian Art Auction Russian Art Auction 66. ARAPOFF, ALEXIS PAUL (1905–1948) Small Fire, Signed. Oil on canvas, 46 by 52 cm. £3,000–4,000 67. 65. VINDRIAEVSKY, MAXIM (1908–1988) River Bank, Signed. Oil on canvas mounted on cardboard, 39 by 30 cm. ARAPOFF, ALEXIS PAUL (1905–1948) Bicycle Ride, Signed. Circa 1928. Oil on canvas, 50 by 65 cm. Provenance: Private collection, Israel, since 1974. Authenticity has been confirmed by the artist’s son. £5,000–7,000 £1,000–1,200 MacDougall’s LONDON 18 May 2005 57 58 Russian Art Auction Russian Art Auction 68. STOZHAROV, VLADIMIR (1926–1973) French Park, Signed and dated 1960. Oil on board, 29 by 41 cm. £3,000–4,000 69. ISZELENOV, NIKOLAI (1891–1981) Five Drawings of Follies, Each signed with monogram and dated 1936. Ink, pencil on paper, 32 by 24 cm each. £2,500–3,000 *70. GRITCHENKO, ALEXIS (1883–1977) Little Town, Signed with initials and dated 1918. Oil on canvas, 38 by 64 cm. Provenance: private collection, NY. £10,000–15,000 MacDougall’s LONDON 18 May 2005 59 60 Russian Art Auction Russian Art Auction 72. WIDHOPFF, DAVID (1867–1933) Mediterranean Coast, Signed. Oil on canvas, 50 by 65 cm. £2,000–2,500 71. WIDHOPFF, DAVID (1867–1933) Still Life with Purple Roses, Signed. Oil on canvas, 81 by 101 cm. £10,000–12,000 Давид Видгоф получил художественное образование в Одесской рисовальной школе и Мюнхенской художественной академии. С 1890 г. жил в Париже. Создал серию портретов знаменитостей: Золя, Немировича-Данченко, Сары Бернар и др. Исполнял рисунки и карикатуры для французских журналов «Courrier Francais» и «L’assiette au beurre», а также иллюстрации к «Братьям Карамазовым» Достоевского. Его работы выставлялись на Осеннем салоне и салоне Независимых. David Widhopff was born in Odessa in 1867; he graduated from the Odessa School of Art, then studied in Munich Academy of Art. He himself taught art briefly in Rio de Janeiro. Came to Paris in the 1890s, painted portraits, worked with French publishers and magazines including Courier Francais and L’assiette au beurre. Exhibited at the Salon d’Automne, Salon des Independents etc. Was awarded the medal of the French Legion. MacDougall’s LONDON 18 May 2005 73. STARITSKY, ANNA (1908–1981) Morning Bay, Signed. Gouache on paper, 50 by 65 cm. £3,000–4,000 61 62 Russian Art Auction 74. Russian Art Auction STARITSKY, ANNA (1908–1981) Abstract Composition with the text by Luc Henri, Signed. Gouache and ink on paper, 66 by 50 cm. £4,000–5,000 75. KISLING, MOISE (1891–1953) Tulips, Signed. Oil on canvas, 40 by 26 cm. Provenance: Private Collection, New York, acquired in 1964 from La Galerie 18, Paris. £28,000–30,000 MacDougall’s LONDON 18 May 2005 63 64 Russian Art Auction Russian Art Auction *76. SAMOKHVALOV, ALEXANDER (1894–1971) Portrait of a Girl in White Scarf, Signed and dated 1934. *77. GERASIMOV, SERGEI (1885–1964) Oil on cardboard, 39 by 29 cm. Exhibited: Female Portrait of the XXth Century, Gallery Art Divage, Moscow, 2003, cat. 48. Autumn Landscape. Oil on canvas, 67 by 89 cm. Literature: Female Portrait of the XXth Century, Exhibition Catalogue, Gallery Art Divage, Moscow, 2003, p. 48, illustrated. Provenance: Acquired by the present owner from family of the artist. £8,000–10,000 £25,000–30,000 MacDougall’s LONDON 18 May 2005 65 66 Russian Art Auction Russian Art Auction 79. PANN, ABEL (1883–1963) Yuval, Signed. Pastel on paper, 40 by 31 cm. Authenticity has been confirmed by Itiel Pann, son of the artist. £4,000–6,000 78. 80. PANN, ABEL (1883–1963) PANN, ABEL (1883–1963) Man in a Red Hat, Signed. Young Boy with an Olive Branch, Signed. Pastel on paper, 29 by 23 cm. Pastel on paper, 47 by 62 cm. Authenticity has been confirmed by Itiel Pann, son of the artist. Authenticity has been confirmed by Itiel Pann, son of the artist. £16,000–18,000 £4,000–6,000 MacDougall’s LONDON 18 May 2005 67 68 Russian Art Auction Russian Art Auction 82. MOROZOV, NIKOLAI (1882–1956) Seascape in a Moonlight, Signed. Oil on canvas, 79 by 35 cm. £2,500–3,000 83. PRESSMANE, JOSEPH (1904–1967) Canal Saint Denis, Signed and dated 1955. Oil on canvas, 60 by 50 cm. £2,000–3,000 81. ALTMANN, ALEXANDER (1895–1950) Bridge Over the Quiet River, Signed. Oil on canvas, 60 by 73 cm. £9,000–11,000 MacDougall’s LONDON 18 May 2005 69 70 Russian Art Auction 84. Russian Art Auction HEFTER, FANNY (1900–1964) Sabbath Candels, Signed. Oil on canvas, 94 by 60 cm. Provenance: Private Collection, Jerusalem. Ровесница века Фанни Хефтер родилась и училась в Москве, затем приехала в Париж, где продолжила образование и влилась в европейский художественный мейнстрим. Последние годы жизни провела в Иерусалиме. Fanny Hefter was born in Moscow; she graduated from the Moscow Art School and then moved to Paris, to continue her art education. In France she became a prominent figure of Paris art life, together with her relative Elizabeth Epstein (lot 85). She lived the last seven years of her life in Jerusalem. 85. EPSTEIN, ELIZABETH (1879–1956) Still Life, Signed and dated 1950. Oil on canvas, 65 by 50 cm. Provenance: Moos Galerie, Geneva. £4,000–5,000 £4,000–5,000 MacDougall’s LONDON 18 May 2005 71 72 Russian Art Auction Russian Art Auction 88. RYBACK, ISSACHAR (1897–1935) Flowers, Signed. Gouache on paper, 50 by 33 cm. £3,000–3,500 / 86. MICHONZE, GREGOIRE (1902–1982) Family in the Yard, Signed. Oil on canvas, 27 by 35 cm. £1,500–1,800 89. FEDER, ADOLPHE (1885–1943) / 87. MICHONZE, GREGOIRE (1902–1982) Toreador, Signed and stamped with the atelier stamp. Gouache on paper, 49 by 32 cm. Family with Cat by the Table, Signed and dated 1966. Oil on board, 21 by 11 cm. Provenance: Family of the artist. £1,500–1,800 £1,200–1,500 MacDougall’s LONDON 18 May 2005 73 74 Russian Art Auction Russian Art Auction 90. RYBACK, ISSACHAR (1897–1935) Portrait of a Woman, Signed in Yiddish. Sepia, charcoal on paper, 37 by 30 cm. £3,000–4,000 91. AXELROD, MEIR (1902–1970) Farmers in the field, Signed and dated 1934. Gouache on cardboard, 36 by 50 cm. 92. RYBACK, ISSACHAR (1897–1935) Provenance: Estate of the Artist. In the Field, Signed. £1,000–1,500 £7,000–10,000 MacDougall’s LONDON 18 May 2005 Oil on canvas, 51 by 85 cm. 75 76 Russian Art Auction Russian Art Auction 93. IACOVLEFF, ALEXANDER (1887–1938) Japanese Theatre (Kabuki). Oil, gouache on cardboard, 100 by 120 cm. Provenance: Galerie Blondel, Paris. £30,000–40,000 MacDougall’s LONDON 18 May 2005 77 78 Russian Art Auction Russian Art Auction 96. RYBACK, ISSACHAR (1897–1935) A Bronze Figure of a Violin Player, Signed and numbered. Height 26 cm. Cast by Sacharov and Zariski Foundry, Haifa in the 1970’s. Provenance: Private collection, Jerusalem. £2,000–3,000 94. MANE-KATZ (IMMANUIL KATZ, 1894–1962) A Bronze Figure of a Trombone Player. Height 27 cm. Signed with initials. Cast by Sacharov and Zariski Foundry in Haifa, Israel, in the 1970’s. Edition of 8 numbered copies and 2 HS. Literature: Robert S. Aries, Mane-Katz, 1894–1962. The Complete Works, Vol. I, Ldn, 1970, no. 632, p. 190 (ill. of another cast by Valsuani). £2,000–3,000 97. MANE-KATZ (IMMANUIL KATZ, 1894–1962) A Bronze Figure of a Boy with a Flute, Signed 95. RYBACK, ISSACHAR (1897–1935) A Bronze Figure of a Man with Geese, Signed. Height 25 cm. with initials. Height 27 cm. Cast by Sacharov and Zariski Foundry in Haifa, Israel, in the 1970’s. Edition of 8 numbered copies and 2 HS. Provenance: Private collection, Jerusalem. Literature: Robert S. Aries, Mane-Katz, 1894–1962. The Complete Works, Vol. I, Ldn, 1970, no. 630, p. 190 (ill. of another cast by Valsuani). £1,500–2,000 £1,500–2,000 Cast by Sacharov and Zariski Foundry, Haifa in the 1970’s. MacDougall’s LONDON 18 May 2005 79 80 Russian Art Auction Russian Art Auction 99. ANNENKOV, YURI (1889–1974) Cubist Portrait, Signed with initials. Pencil on paper, 30 by 23 cm. £4,000–6,000 98. POUGNY, IVAN (1892–1956) Reclining Girl, Signed. Oil on canvas, 38 by 46 cm. Exhibited: Salon de Tuileries, Paris, 1930. Peintures de Pougny, Galerie Jeanee Castel, Paris, 1933. 100. ROCKLINE, VERA (1896–1934) Literature: Herman Berninger, Pougny, Catalogue Raisonne , Vol. II, p 12. Archive no. 449–154b. Peintures de Pougny, Exhibition catalogue, Paris, 1933, no. 2. Nude, Stamped with the atelier stamp. £20,000–25,000 £800–1,000 / Sanguine on paper, 37 by 27 cm. MacDougall’s LONDON 18 May 2005 81 82 Russian Art Auction Russian Art Auction 101. LARIONOV, MIKHAIL (1881–1964) Reclining Nude, Signed and dated 1928. Pencil on paper, 27 by 42 cm. Provenance: Sotheby’s, Israeli and International Art, 8 October, 1998, Lot 117. Galerie Chantepierre, Aubonne. £4,500–5,000 102. MALIAVIN, PHILIPPE (1869–1940) 103. LARIONOV, MIKHAIL (1881–1964) In the Park, Signed with initials. Portrait of King Gustav of Sweden, Signed. Pastel on paper, 37 by 26 cm. Pencil and crayon on paper, 43 by 27 cm. / Provenance: private collection, UK. This work will be included in the forthcoming catalogue raisonee , prepared by Dr. Anthony Parton. £2,000–3,000 £5,000–7,000 MacDougall’s LONDON 18 May 2005 83 84 Russian Art Auction Russian Art Auction 104. ZDANEVICH, ILIA (1894–1975) Enchanted Town, Signed on the reverse and inscribed Design for a Spanish theatre decoration, 1920s. Collage on paper, 33 by 49 cm. Provenance: Gallery Arcette Gimarey. £5,000–6,000 *105. ANISFELD, BORIS (1878–1973) Costume Design for Ballet Sadko, Signed and dated 1911, Inscribed in Cyrillic Sadko and Mermaids. Gouache on paper, 40 by 22 cm. This design was created by the artist for Rimsky-Korsakov’s ballet Sadko, produced by Mikhail Fokin for Diagilev’s Ballet Russe. It was performed in 1911 at the Theatre du Chatelet in Paris. / /\ /\ 106. KOROVIN, KONSTANTIN (1861–1939) Stage Design for Don Quixote, Signed and dated 1903. Oil on canvas, 46 by 56 cm. Provenance: private collection, NY. Provenance: Christie’s, London, 15 June, 2000. Private collection, NY. £2,500–3,500 £12,000–15,000 MacDougall’s LONDON 18 May 2005 85 86 Russian Art Auction Russian Art Auction 107. TELINGATER, SOLOMON (1903–1969) Costume Design. Mixed media on cardboard, 25 by 17 cm. £1,000–1,200 108. BAKST, LEON (1866–1924) Study for Daphnis and Chloe, Stamped with the atelier stamp (on the reverse). Pencil on paper, 15 by 10 cm. Design for ballet Daphnis and Chloe, music by Ravel, choreography by Fokin for Diaghilev’s Ballet Russe. It was performed in Theatre du Chatelet, Paris, in May 1912 with Karsavina (see lot 44) and Nijinsky. / /\ /\ 109. ANNENKOV, YURI (1889–1974) Watercolour, ink on paper, 39 by 28 cm. Girl in apron. Costume Design, Signed. Watercolour, ink on paper, 37 by 26 cm. £700–900 £700–900 Girl with ribbons. Costume Design, Signed. £3,000–4,000 111. ANNENKOV, YURI (1889–1974) Freedom. Costume Design, Signed with initials. Watercolour, pencil on paper, 37 by 25 cm. £700–900 MacDougall’s LONDON 18 May 2005 110. ANNENKOV, YURI (1889–1974) 87 88 Russian Art Auction Russian Art Auction 112. WAKHEVITCH, GEORGE (1907–1984) Costume Design, Signed and inscribed Igor. Gouache on paper, 44 by 28 cm. £800–1,000 *113. FEDOROVSKI, FEDOR (1883–1955) Costume Design for Opera Carmen, Signed with initials. Gouache on board, 44 by 54 cm. *114. FEDOROVSKI, FEDOR Provenance: Family of the artist. Acquired from the family by the present owner. These costume designs were produced by the artist for Carmen, performed at the Bolshoi Theatre in 1922. £2,500–3,500 (1883–1955) Costume Design for Opera Carmen, Stamped with atelier stamp, Authenticity confirmed by the artist’s daughter. Gouache on cardboard, 50 by 36 cm. Provenance: Family of the artist. Acquired from the above by the present owner. £2,000–3,000 *115. FEDOROVSKI, FEDOR (1883–1955) Costume Design for Opera Carmen, Signed. Gouache on cardboard, 51 by 36 cm. Provenance: Family of the artist. Acquired from the above by the present owner. £2,000–3,000 MacDougall’s LONDON 18 May 2005 89 90 Russian Art Auction Russian Art Auction 118. BENOIS, ALEXANDER (1870–1960) *116. KUSTODIEV, BORIS (1878–1927) Russian Merchant, Signed with initials. Watercolour, pencil on paper, 26 by 18 cm. £4,000–5,000 Gentleman in 18th Century Costume, Signed and dated 1905. Watercolour, pencil on paper laid on board, 47 by 33 cm. Exhibition label on reverse number 60 Alexandre Benois (watercolour) Paris, rue Campagne Premier. Provenance: Christie’s, London, 24 April 1991. £3,000–4,000 117. RIABUSHKIN, ANDREI (1861–1904) 119. SOULIMENKO, PIOTR (1914–?) Pushkin and Brullov, Signed. Boyar Lady, Signed. Watercolour on paper, 29 by 18 cm. Watercolour on paper, 23 by 30 cm. £1,500–2,000 £1,000–1,200 MacDougall’s LONDON 18 May 2005 91 92 Russian Art Auction Russian Art Auction 120. REPIN, ILYA (1844–1930) Portrait of Vera Ilyinishna Repina, Signed and dated 1892. Watercolour on paper, 23 by 18 cm. £8,000–10,000 Портрет Веры Ильиничны Репиной (1872–1948), дочери художника. Происходит из ее собрания. 122. VASSILIEFF, MARIE (1884–1957) Portrait of Mlle Yvonne de Galle, del'Opera France, Signed and dated 1925. Oil on cardboard, 42 by 34 cm. £4,000–6,000 Портрет написан в имении Репина Здравнёво, в пятнадцати километрах от г. Витебска. Летом 1892 художник написал несколько портретов Веры. Среди них — знаменитый «Осенний букет», хранящийся в Третьяковской галерее. Авторство подтверждено Е. В. Кириллиной, Директором по научной работе музея Репина «Пенаты». Portrait of Repin’s oldest daughter Vera Ilyinishna, painted in Repin’s estate Zdravnevo. During the summer of 1892, Repin painted several portraits of Vera. The most famous one, Autumn Bouquet, is in the Tretyakov Gallery. Authenticity has been confirmed by E.Kirillina, Repin’s museum, Russia. 121. AFANASIEV, ALEKSEI (1850–1920) Russian Winter, Signed. Ink, mixed media on paper, 12 by 19 cm. £1,000–1,200 MacDougall’s LONDON 18 May 2005 123. LUBITCH, OSSIP (1896–1990) Horse in the Meadow, Signed. Watercolour on paper, 21 by 26 cm. Flowers on a Chair, Signed. Oil on panel, 26 by 12 cm. £1,000–1,500 93 94 Russian Art Auction Russian Art Auction 125. GOTKO, JACQUES (YANKELLI GOTKOVSKI, 1899–1944) View of the Compiegne Concentration Camp, Signed and dated 1942. Watercolour and ink on paper, 26 by 37 cm. Born in Odessa in 1899, he immigrated to France with his family in 1905. Studied in the Academie des Beaux-Arts in Paris. Exhibited in Salon d’Automne and Salon des Inde pendants. In 1941 he was arrested by Germans and sent to Compiegne Concentration Camp, where he continued to paint. This watercolour is a rare example of his work executed while in the camp. / £2,000–3,000 124. LAKHOVSKY, ARNOLD (1880–1937) 126. ANNENKOV, YURI (1889–1974) Anichkov Bridge in St. Petersburg, Signed and dated 1920. Town Street, Signed. Oil on board, 62 by 46 cm. Watercolour, ink on paper, 37 by 26 cm. £8,000–10,000 £1,500–2,000 MacDougall’s LONDON 18 May 2005 95 96 Russian Art Auction Russian Art Auction 128. SURVAGE, LEOPOLD (1879–1968) Village Church, Signed and dated 1945. Watercolour on paper, 36 by 47 cm. £1,000–1,200 129. GAUSH, ALEXANDER (1873–1947) Landscape with Haystacks, Signed. Oil on canvas, 44 by 67 cm. £4,000–6,000 127. SURVAGE, LEOPOLD (1879–1968) La Rue Aux Grands Arbres, Signed. Oil on canvas, 65 by 40 cm. Provenance: Collection of Dimitry Snegaroff. £4,000–6,000 MacDougall’s LONDON 18 May 2005 97 98 Russian Art Auction Russian Art Auction 131. LANSKOY, ANDRE (1902–1976) Family Around the Table, Signed. Oil on canvas, 46 by 61 cm. Provenance: Galerie Jean-Ledeur, Paris. £3,500–4,000 132. LANSKOY, ANDRE (1902–1976) View of the Room, Signed. 130. LANSKOY, ANDRE (1902–1976) Oil on canvas, 33 by 41 cm. Children in the Summer Garden, Signed. Oil on canvas, 54 by 65 cm. Provenance: Galerie Le Minotaure, Paris. £8,000–10,000 £2,500–3,000 MacDougall’s LONDON 18 May 2005 99 Russian Art Auction 101 100 Russian Art Auction 133. LANSKOY, ANDRE (1902–1976) 134. LANSKOY, ANDRE (1902–1976) Diary of a Madman (Zapisky Sumashedshego). Abstract Composition, Signed. Collage on paper, 65 by 43 cm. Oil on canvas, 46 by 56 cm. Provenance: Galerie Le Minotaure, Paris. Provenance: Galeire Semiha Huber, Zurich. This work will be included in the forthcoming Catalogue Raisonne by Andre Schoeller. Ланской воспроизвел в работе фрагмент текста Гоголя из «Записок сумасшедшего»: «Сегодняшнего дня случилось необыкновенное приключение. «Я писала к тебе, Фидель; верно, Полкан не принес письма моего!»» £9,000–11,000 £3,000–4,000 / MacDougall’s LONDON 18 May 2005 Russian Art Auction 103 102 Russian Art Auction 135. TCHERKESSOFF, YURI (1900–1943) Villa in Province, Signed and dated 1937. Oil on canvas, 54 by 73 cm. £2,000–3,000 136. TCHERKESSOFF, YURI (1900–1943) Landscape in Province, Stamped with the atelier stamp. Oil on canvas, 54 by 65 cm. £2,000–2,500 MacDougall’s LONDON 18 May 2005 137. MINTCHINE, ABRAHAM (1898–1931) Flower Vase. Oil on canvas, 66 by 54 cm. Provenance: Galerie di Viroli. £18,000–20,000 Russian Art Auction 105 104 Russian Art Auction 139. KOROCHANSKY, MIKHAIL (1866–1925) Landscape, Signed. Oil on canvas, 38 by 55 cm. £3,000–5,000 140. CHABANIAN, ARSEN (1864–1949) 138. KOROCHANSKY, MIKHAIL (1866–1925) Oil on canvas, 65 by 50 cm. Seacoast, Signed. Oil on canvas, 46 by 55 cm. £5,000–7,000 £1,500–2,000 In the Forest, Signed. MacDougall’s LONDON 18 May 2005 106 Russian Art Auction Russian Art Auction 107 142. GODLEVSKY, IVAN (1908–1998) Summer Day in Crimea, Signed. Oil on canvas, 60 by 80 cm. Provenance: Family of the artist. Literature: G.V.Kekysheva et al, Ivan Godlevsky — Paintings, Petropol, Saint Petersburg, 2004, illustrated. £3,000–5,000 143. AXELROD, MEIR (1902–1970) 141. GODLEVSKY, IVAN (1908–1998) Gulchokhra, Signed and dated 1960. Oil on canvas, 93 by 70 cm. Landscape with the River, Provenance: Family of the artist. Signed. Gouache on paper, 58 by 43 cm. Literature: G.V.Kekysheva, V. D. Liubimova, V. S. Kaplunov, S. G. Ryazanova, Ivan Godlevsky — Paintings, Petropol, Saint Petersburg, 2004, illustrated. Provenance: Estate of the Artist. £3,000–5,000 £1,000–1,500 MacDougall’s LONDON 18 May 2005 Russian Art Auction 109 108 Russian Art Auction 145. KIKOIN, MICHAEL (1892–1968) Fields in Spring, Signed. Mixed media and oil on paper laid on canvas, 26 by 41 cm. Provenance: Hadassah K Klachkin Gallery, Tel Aviv. £1,500–2,000 146. STARITSKY, ANNA (1908–1981) Abstract Composition with Text by Albert Dasnoy, Signed and dated 1964. Gouache and ink on paper, 50 by 66 cm. £4,000–6,000 144. KIKOIN, MICHAEL (1892–1968) Landscape, Signed. Oil on canvas, 61 by 50 cm. £8,000–10,000 MacDougall’s LONDON 18 May 2005 110 Russian Art Auction Russian Art Auction 111 147. DOBRINSKY, ISAAK (1891–1973) Morning Room, Signed. Oil on canvas, 60 by 73 cm. £1,200–1,500 148. KOGAN, RAKHIL (1912–1975) Still Life with a Violin and Renaissance Portrait, Signed and dated 1933. Oil on canvas, 90 by 80 cm. Provenance: Private collection, Rishon Le-Zion, Israel, acquired directly from the artist. £2,000–3,000 MacDougall’s LONDON 18 May 2005 149. MANEVICH, ABRAM (1881–1942) Portrait of Artist’s Wife, Signed and stamped. Oil on canvas, 92 by 71 cm. Provenance: Estate of the Artist. Acquired from the above by the present owner. £5,000–7,000 MacDougall’s LONDON 30 November 2004 112 Russian Art Auction Russian Art Auction 113 150. TITOV, VLADIMIR (B.1950) Fallen Man and the Angel, Signed. Oil on canvas, 89 by 117 cm. Provenance: From the Artist. £3,000–5,000 151. DLUGY, VITALY (1934–1990) Corkscrew, Signed and dated 1983. Mixed media on cardboard, 58 by 80 cm. 152. SVESHNIKOV, BORIS (1927–1998) Provenance: private collection, France. Acquired by the present owner from A. Gleizer. Winter Crossing, Signed and dated 1984. £2,000–2,500 £4,000–5,000 MacDougall’s LONDON 18 May 2005 Oil on canvas, 80 by 70 cm. Provenance: private collection, France. Acquired by the present owner from A. Gleizer. 114 Russian Art Auction Russian Art Auction 115 Index of Artists 153. RABIN, ALEXANDER (1952–1994) City in Ruins, Signed and dated 1974. Oil on canvas, collage, 80 by 100 cm. Provenance: private collection, France. Acquired by the present owner from A. Gleizer. £4,000–5,000 154. ZVEREV, ALEXANDER (1931–1986) Portrait of a Girl, Signed and dated. Oil on canvas, 52 by 72 cm. Provenance: private collection, France. Acquired by the present owner from A. Gleizer. £3,500–4,000 MacDougall’s LONDON 18 May 2005 AFANASIEV, ALEKSEI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 121 ALTMANN, ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 81 ANISFELD, BORIS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105 ANNENKOV, YURI . . . . . . . . . . . . . . . . . . . . . . . . 99, 109, 110, 111, 126 ARAPOFF, ALEXIS PAUL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65, 66 ARNSTAM, ALEXANDER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38, 39 AXELROD, MEIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91, 143 BAKST, LEON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 108 BARANOV-ROSSINE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 BENOIS, ALBERT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 BENOIS, ALEXANDER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118 BOGOLIUBOV, ALEXEI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 CHABANIAN, ARSEN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 140 CHARCHOUNE, SERGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 CHUMAKOV, FEDOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 DLUGY, VITALY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151 DOBRINSKY, ISAAK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 147 EBERLING, ALFRED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44, 45 EPSTEIN, ELIZABETH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 85 EXTER, ALEXANDRA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6, 10 FECHIN, NIKOLAI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 53 FEDER, ADOLPHE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56, 89 FEDOROVA, MARIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 FEDOROVSKI, FEDOR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113, 114, 115 GAUSH, ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129 GERASIMOV, SERGEI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77 GODLEVSKY, IVAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46, 141, 142 GONCHAROVA, NATALIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16, 63 GOTKO, JACQUES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 GRITCHENKO, ALEXIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70 HARLAMOV, ALEKSEI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 HEFTER, FANNY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 IACOVLEFF, ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 93 ISSAEV, NIKOLAI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57, 58 ISTOMIN, CONSTANTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34, 35, 36 ISZELENOV, NIKOLAI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 IVANOFF, SERGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11, 12, 13 KAKABADZE, DAVID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 51 KIKOIN, MICHAEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 144, 145 KISLING, MOISE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30, 64, 75 KOGAN, RAKHIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148 KONCHALOVSKY, PIOTR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32, 33 KOROCHANSKY, MIKHAIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138, 139 KOROVIN, KONSTANTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 KOUZNETSOFF, CONSTANTINE . . . . . . . . . . . . . . . . . . . . . . . . 2, 3, 4, 5 KREMEGNE, PINCHUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 KUSTODIEV, BORIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 116 LAGORIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25 LAKHOVSKY, ARNOLD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124 LANSKOY, ANDRE . . . . . . . . . . . . . . . . . 15, 130, 131, 132, 133, 134 LAPCHINE, GEORGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19, 20 LARIONOV, MIKHAIL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 101, 103 LATRI, MICKAEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 LUBITCH, OSSIP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123 MAK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 MALIAVIN, PHILIPPE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102 MANE-KATZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49, 50, 94, 97 MANEVICH, ABRAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149 MICHONZE, GREGOIRE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86, 87 MINTCHINE, ABRAHAM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 MOROZOV, NIKOLAI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 OSMERKIN, ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 OSTROUMOVA-LEBEDEVA, ANNA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 PANN, ABEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78, 79, 80 POGEDAIEFF, GEORGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60, 61, 62 POUGNY, IVAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 PRESSMANE, JOSEPH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83 RABIN, ALEXANDER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 153 REPIN, ILYA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 120 RIABUSHKIN, ANDREI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 ROCKLINE, VERA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 RYBACK, ISSACHAR . . . . . . . . . . . . . . . . . . . . . . . 26, 88, 90, 92, 95, 96 SAMOKHVALOV, ALEXANDR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 76 SOULIMENKO, PIOTR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 119 STARITSKY, ANNA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 74, 146 STENBERG, VLADIMIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 STERLING, MARC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54, 55 STOZHAROV, VLADIMIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 68 SURVAGE, LEOPOLD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127, 128 SVESHNIKOV, BORIS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 152 TCHELISCHEV, PAVEL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40, 41, 42, 43 TCHERKESSOFF, YURI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135, 136 TELINGATER, SOLOMON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 TERECHKOVITCH, CONSTANTINE . . . . . . . . . . . . . . . . . 22, 23, 24 TITOV, VLADIMIR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 150 VASSILIEFF, MARIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1, 59, 122 VINDRIAEVSKY, MAXIM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67 WAKHEVITCH, GEORGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 112 WIDHOPFF, DAVID . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71, 72 ZDANEVICH, ILIA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 ZOUBTCHENKO, CATHERINE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 ZVEREV, ALEXANDER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 154 / 116 Russian Art Auction Russian Art Auction 117 MacDougall's Terms & Conditions of Sale 1. These Terms and Conditions govern the contractual relations of the vendors, the prospective buyers, and MacDougall Arts Ltd. All bids shall be treated as offers made upon these Terms and Conditions of Sale. 2. In these Terms and Conditions of Sale, MacDougall Arts Ltd. — who act only as auctioneer and agents for the vendor — are called The Auctioneers or us; and the representative of MacDougall Arts Ltd. conducting the auction is called The Auctioneer. HAMMER PRICE 3. The hammer price means the highest bid accepted by the Auctioneer. The highest bidder acceptable to the Auctioneer shall be the Buyer. The purchase price payable by the buyer shall be the aggregate of the hammer price plus buyer’s premium (together with any VAT chargeable on the hammer price and buyer’s premium). The buyer’s premium is payable at a rate of 20% on the first £100,000, and at a rate of 12% on the amount above £100,000, of the hammer price. By the making of any bid the buyer acknowledges that on the sale of any lot the Auctioneers may receive from the vendor a seller’s commission in addition to the said buyer’s premium. All prices are quoted in UK Pounds Sterling. VAT 4. Lots are normally sold under the UK Auctioneers Margin Scheme. Input tax deduction has not been and will not be claimed in respect of such lots. The charge for buyer’s premium will include VAT on the charges described above, which will not be shown separately and may not be reclaimed as input tax. 5. Items marked with an asterisk (*) have been imported from outside the EU. 5% will be added to the hammer price and buyer’s premium to cover Import VAT. EU VAT registered buyers should note that neither this 5% nor the VAT on the buyer's premium can be refunded or claimed against VAT. 6. Buyers from outside the EU who ship their purchases outside the EU within three months should tell the Auctioneers at time of payment. For them, the VAT charge implicit in the premium (and the 5% charge on starred lots) will be treated as a deposit, refundable on presentation of documentary proof of export outside the EU within three months. BIDDING 7. The bidding is regulated at the sole discretion of the Auctioneer, who reserves the right to accept or reject any bid and, in the case of lots upon which the seller has placed a reserve, the Auctioneer shall have the right to bid on behalf of the seller, but no higher than the reserve. MacDougall Arts Ltd., its Directors, its staff, or its consultants may own or have a beneficial interest in a lot being sold. All lots are offered subject to a Reserve Price agreed in writing with the vendor; it shall be no higher than the low estimate of the hammer price. The Auctioneers have absolute discretion to refuse admission to the auction. 8. If instructed, the Auctioneers will execute bids for prospective purchasers. This service is free. Lots will always be purchased as cheaply as is allowed by such other bids and reserves as are on the Auctioneer’s books. In the event of identical bids, the earliest will take precedence. There must always be a maximum limit indicated, i.e. the amount to which you would bid if you were attending the auction yourself. Buy or unlimited bids will not be accepted. Commission bids placed by telephone are accepted at the client’s risk. principal unless they have prior written consent from the Auctioneers to bid as agent for another party. Staff and consultants of the Auctioneers may only bid when they are unaware of commission bids and comply with internal regulations. Bidders are personally liable for their bid and are jointly and severally liable with their principal if bidding as agent. 10. (a) All lots must be paid for within seven days of the sale. (b) No lot can be taken away until the full purchase price has been paid with cleared funds. (c) Buyers are reminded that they may require an export licence for some items in order to remove the lot from the United Kingdom, that they alone are responsible for obtaining any such licence, and that the sale is valid whether or not such licence is obtained. 11. If a buyer fails either to pay for, or take away, any lot in accordance with the condition 7 and 8, the Auctioneers shall be entitled at their absolute discretion to exercise one or more of the following rights. (a) To cancel the sale of that lot. (b) To store the lot or cause it to be stored at their own premises or warehouses elsewhere at the sole expense and risk of the buyer, and to release the lot only after payment in full of the purchase price, accrued storage and haulage charges and all other costs incurred by the Auctioneers in connection with the lot. (c) To charge to buyers, on accounts remaining unpaid seven days after the sale, interest at a rate of 2% above HSBC Bank Base Rate. (d) With a week’s notice to the buyer to resell the lot or cause it to be resold by public or private sale. Any deficiency in the purchase price attending such resale (after giving credit for any payment and after deducting full costs incurred in connection with the lot) to be made good by the defaulting buyer, any surplus (after retention by the Auctioneers of the premium) to be paid to the seller. By the making of any bid the buyer acknowledges his acceptance of these conditions in the catalogue. (e) Set off any amounts owed to the Buyer against any amount owed to MacDougall’s Arts Ltd. by the Buyer. (f) Commence legal proceedings to recover the purchase price and Buyer’s Expenses for that lot. (g) Release the name and address of the Buyer to the Seller to enable the Seller to commence the legal proceedings against the Seller. 12. Legal title shall not pass to the buyer until the lot has been paid for in full, but each lot will immediately on the fall of the hammer be and remain in every respect at the risk of the buyer. MacDougall Arts Ltd. shall be entitled to a lien on any lot sold until the purchase price (as defined in condition 2) is paid in full by the buyer. CATALOGUE DESCRIPTIONS 13. The Auctioneers reserve the right to withdraw, consolidate, divide or alter any lot or combine any two or more lots. 14. All statements in the catalogues, advertisements or brochures of forthcoming sales are statements of opinion only. Illustrations in the catalogues, advertisements or brochures of forthcoming sales may not necessarily reveal imperfections in any lot. The exact physical description of any lot and the extent of any defect, restoration or repair to any lot should be ascertained by intending buyers through inspection. Each buyer by making a bid for a lot acknowledges that he has satisfied himself fully before bidding by inspection or otherwise as to all the sale conditions the physical condition of and description of the lot including but not restricted to whether the lot is damaged or has been repaired or restored. IDENTIFICATION AND PAYMENT 9. The Buyer shall forthwith supply his name and address and his bank and other suitable references. The Buyer may also be required to pay forthwith the whole or any part of the purchase price, and if he fails to do so the lot or lots may at the Auctioneer’s absolute discretion be put up for sale again and resold. Bidders act as MacDougall’s LONDON 18 May 2005 15. The Auctioneers reserve the full and absolute right to illustrate and photograph any lot placed in its hands for sale, and to use these photographs and illustrations at any time at its absolute discretion (whether or not in connection with the auction). 118 Russian Art Auction Russian Art Auction 119 MacDougall's Telephone and Commission Bidding Form: 18 May 2005 Buyers are reminded that, in accordance with all sales conducted by MacDougall Arts Ltd., a premium at a rate of 20% on the first ‡100,000, and 12% thereafter is payable on the hammer price, plus applicable VAT. All telephone and commission bidding requests must be completed by twenty-four hours before the sale. MacDougall Arts Ltd. do not accept any liability if for any reason you do not receive a phone call during the sale. In submitting this form you must agree to comply with Terms and Conditions of the Sale. I would like to leave a Commission Bid: (please tick one) To make a Telephone Bid: GUARANTEE 16. Notwithstanding any other terms of these conditions, if within one year after the sale the buyer of any lot gives notice in writing to the Auctioneer that in his view the lot is a counterfeit (i.e. an imitation created to deceive as to authorship, origin, date, or age); and within fourteen days after such notification the buyer returns the lot to the Auctioneer in the same condition as at the time of sale and free of third party claims; and by producing evidence, with the burden of proof to be upon the buyer, satisfies MacDougall Arts Ltd. that the lot is a counterfeit, not reflected by the description in the catalogue; then the sale of the lot will be rescinded and the purchase price of the same refunded. No lot shall be considered a counterfeit by reason only of any damage and/or restoration and/or modification work of any kind including repainting or over-painting. This limited right of refund lies with the original buyer only and is not transferable to third parties. Preferred Languages for Telephone bidding: ARE YOU REGISTERED AS A CLIENT: Lot Number Yes English; Russian; French No Brief Description For Commission Bids: Maximum Bid (UK‡ Hammer Price) DATA PROTECTION 17. By agreeing to these Terms and Conditions, vendors, bidders, and buyers agree to the storage and processing of their personal information by the Auctioneer. The data may be stored in countries which do not offer equivalent protection of personal information to that offered in the EU. The Auction may be subject to video and audio recording by the Auctioneer. The Data Controller is MacDougall Arts Ltd. ENGLISH LAW AND LANGUAGE 18. All sales and related matters included within these Conditions of Sale shall be governed by and construed in accordance with the laws of England (regardless of where the lot may have been received by the Auctioneer) and the buyer submits to the non-exclusive jurisdiction of the English courts. In the event of a dispute then the matter shall be settled by arbitration, the arbitrator to be nominated by the President of the Royal Institution of Chartered Surveyors. Both the buyer and the vendor agree to be bound by the decision. PASSPORT OR NATIONAL ID CARD 19. Where a translation of this agreement has been provided, it is agreed that the English language version shall be the governing one. Citizenship Number Issued at Date: BANK DETAILS Bank Account or Credit Card Details PAYMENT METHODS: For payments by wire transfer, please direct payment in UK pounds sterling (with all charges to be paid by sender, and include a reference to the lot number) to: MacDougall Arts Client Trust Account No. 73662942, Sort Code 40-07-13, Swift code MIDLGB22, IBAN GB22MIDL40071373662942 HSBC Bank plc, 22 Victoria St., Westminster, London SW1H 0NJ. I have read the Terms and Conditions of Sale and agree to comply with them. Signature Date Other Payment Methods: Credit card payments are charged 1.5% extra. UK debit card payments are free of charge. Personal cheque payments will have to clear before delivery of purchases. Bankers drafts and cash within certain limits may be accepted by arrangement. MacDougall Arts Ltd., 33 St. James Square, London SW1Y 4JS, England Info@macdougallauction.com Tel: 0044–20–7661–9325. Fax: 0044–870–4329–922 MacDougall’s LONDON 18 May 2005 50-я Венецианская биеннале Искусство принадлежит Измерение времени Искусство принадлежит Русские музеи: уникальные коллекции Немецкий номер Искусство принадлежит Искусство принадлежит Слово / Мона Лиза Искусство принадлежит Искусство принадлежит Художники начала века Искусство принадлежит Апокалипсис сегодня Государственный музей Востока Искусство принадлежит Искусство принадлежит Когда Россия говорила по-французски... Искусство принадлежит Де Кирико, Дейнека, Марко Поло Брейгель, Лихтенштейн, Петров-Водкин Искусство принадлежит WAM – сдвоенные тематические номера (+300 стр., переплет, суперобложка) Подписка на 6 любых номеров WAM – 180$ Телефон 913 6295/96 Искусство принадлежит Московский концептуализм 70 лет Московскому метро Искусство принадлежит С мая 2005 года по новому адресу: Малая Дмитровка, 24/2 www.wamonline.ru Where to Find Us d roa nd S tr. xford S Gre tr. r. Str . uit nd Sh ick rw Str tr. . nor S rosve r. nt St Mou Piccadilly Circus M H illy d ca tr. Pic tr. yn Be l . Str Hyde Park . Str ehall P s's ne all M all Whit Kin me La MacDougall's tr. gS Ja rk r. St. St Pa n ce Christies St. James's Square Pla . tto Str Bo tr. ley loo J ange Str. Or Trafalgar Square ter erm rke r ha C ley S ne La S es Wa ll S Hi Aud rk Pa South oun t rke ma ay . t Str lly St r . ne rG Uppe n lto St. Martin's La Co e Monmouth Str. nu ad enham Court r o Tott ve yA d rt roa Wa ur sb te at Cou . Str nd Bo Str. . Str. tr. nS w Ne Duke r Str. Bake ro Sotheby's r Str eno sv Gro tr. ok S er B Upp . k Str Broo ek Str. Dea Oxford orn o lb es b Soh H H ig h Wa ry at t S re Str. nham Totte are qu oS bu Sh O tr. Ve e St Duk Oxford Str. ury Ave n ortla Str. xford New O ms Bloo Sh e tP Grea ore Wigm r. el St cast East . Str e Gr urt Co . o Wigm Str. am y Str Str. r. re St h ten Tot Harle pole Wim Str. r Str. Bake Str. eck Welb Thayer Str. ster che Man imer Mort ell uss R at di ca Pic or en sv ro eorge Str. lk e Wa irdcag B ce Pla Cr e Belgrave Square Great G Buckingham Palace G Grosvenor e sc Parllament Str. Saint James Park Hyde Park Corner MacDougall Arts Ltd. 33 St. James Square, London SW1Y 4JS Telephone: 44–20–7661–9325 Fax: 44–20–7661–94001 Info@macdougallauction.com Moscow Telephone: 095-799–4683 www.macdougallauction.com Front cover. Lot 18. V. STENBERG. Man of the Future. Back cover. Lot 12. S. IVANOFF. Suzanne au Bain. Lot 104. ZDANEVICH, ILIA (1894–1975) Enchanted Town. 18 May 2005 London